RELEASES

FACES AT THE WINDOW - 2000
7" EP - Beat Bedsit Records, BB7001

Recorded and mixed in one punk rock evening in the winter of 2000, this 6 track EP was made up of a couple of songs written some years prior, and a few that were, as then quite new. It's all pretty raw, and I'm glad now that I was able to record my first ever guitar before it expired (£10 from a car boot sale, 6 years faithful service). I also discovered a broken electric piano in the studio, so used that on a couple of songs, plus a xylophone which featured on about 20 seconds of song and was heavier than everything else I had to carry there.

 

Track listing:
Living Together
Our Basement Bedsit
Faces At The Window
Compulsory Euthanasia
Fuck You Mister
Filth


TALES FROM THE SATURDAY NIGHT LAUNDERETTE - 2002
Split CD Album with We Am Janet - Beat Bedsit Records, BB5006

Me and my friend Roger, who is We Am Janet, had talked about a split release for a long time before we actually made it materialise. In that time we managed to discuss formats of 12" and 7" diameter before settling on a more modest 5". The Pog songs on this CD are generally longer, slower and more downbeat than the EP, with some organs and piano helping the atmosphere, although there are moments of abrasive jollity, such as Boring Boy and Shopper's Theme (slight return). Unlike the first record, I roped in a couple of other people to lend their talents to the pot, namely Pico / Domestica celloist Bela Emerson, who supplies said instrument to three songs, and my sister Kerri, who does some crooning here and there.

 

Track listing:
Perfect Couple
Boring Boy
The Shopper's Theme
Deathbed
Ellie
Queenspark
4pm Alarm
The Shopper's Theme (slight return)
Saturday Night Launderette

SOB STORIES FROM THE ONE-STOP SLIPPER SHOP - 2003
CD Album - Heel Turn Media, HTM7
Recorded amid the rank and file of the Beat Bedsit stockroom, this was pretty much spread over Summer 2003. Features, on all but one song, the marvellous Casio MT600, which I picked up from a car boot sale (in the rain, dedicate that I am) for a single pound coin. So anticipate much modulated warble. Annalise supplies both electronic and hand-generated percussion, as well as some splendid backing chortle. As a whole, it's moderately jovial, which may have been due to the sunshine pouring through the window every time I recorded.

 

 

Track listing:
Your Song
The Pennywatchers
Also Ran
What Trevor Said
Armchair Interlude
I Wrote A Song About It
You Still Cling To The Same Dreams
4 Wheeled Greenhouse
Clothing Dept. Sales Assistant
Thursday Morning, Half Past Nine
Time Of Our Lives

POGWASH - 2004
CD compilation - Hairy Chested Records, HCM004
Released by the tiny Texan label which is run by a guy in a one man electro noise assault called Boogdish. I hope to invite him over next year. Anyway, he asked is he could do a CD about a fortnight after Slipper Shop was finished, so I replied that I had no songs left BUT he could have a compilations worth. And that's how it happened. So here you get roughly half of Slipper shop, a couple from Launderette, a quick show from Faces At The Window and some oddities, namely reworkings of Filth, What Trevor Said and Compulsory Euthanasia, and a raw version of Little Fishes by Patrik Fitzgerald.

 

 

Track listing:
The Pennywatchers
Also Ran
Compulsory Euthanasia
Deathbed
What Trevor Said
Filth
Clothing Dept. Sales Assistant
Fuck You Mister
Little Fishes
Armchair Interlude
Queenspark
Thursday Morning, Half Past Nine

THE DOG END MAN AND THE PIGEON LADY - 2004
CD album - POG5
The Dog End Man is an actual Brighton character, although I should think that most towns and cities have at least one. I haven't seen him for some time so he may have expired. This is the first album to be comprised of the Paul / Annalise / sequencer lineup. As such it's all pretty upbeat, though not necessarily cheery. The whole thing was recorded in the bedroom (as tradition dictates) and there's lots of organs and keyboards to drown out the drone of the guitar.

 

 

Track listing:
All Thrown Together
Compulsory Euthanasia
The Dog End Man
Arcade Jingle
Filth
When I Look At You
Song vs Song
Happy Birthday, Positron
This Town
If You Can't Be With The One You Love...

COMPILATIONS

THE BASEMENT BEDSIT MUSAK VOLUME 1 CD
Beat Bedsit Records, BASE01

The first ever Beat Bedsit release, put out to tie in with the first Basement Bedsit evening at The Sanctuary in Brighton. As such then it features tracks from all the acts from that evening of pioneering cross-genre mayhem. Namely The Blue Minkies, We Am Janet, Ben Graham, Betty Bontempi and Tijuana. The Pog tracks are older (and, reckons I, slightly superior) versions of Faces At The Window and Filth.
MUZAK FROM THE BASEMENT VOLUME 2 CD
Beat Bedsit Records, BASE05

Again, a home-grown compilation put out to showcase everyone playing at the first Basement Bedsit weekend, (which is now 3 years old this October) annual do. The weekend in question was a fund raiser for the Unemployed Centre Children's Xmas Party, and diverse acts such as The Astronauts, Jessi Eastfield, We Am Janet, Project Adorno, Pico, Chester, Tijuana, Tantara, Dan Belton, Bod, Jimmy Bullet, Steve Lake and Wreckless Eric made it great. The Pog track is a rough and ready version of Shopper's Theme which is smoother than the album version but the singing is painful.
SONGS AROUND THE CAMPFIRE CD
HEEL TURN MEDIA, HTM05

Subtitled 'Anti-Folk Volume 1', which is a phrase I've taken quite a dislike to. It's as if a style of music has to be labelled for lazy reference once a bunch of New York hipsters have 'invented' it. That minor (and entirely arbitrary) quibble aside, this is an absolutely cracking collection of songs for late at night, including work from Oubliette, Nathaniel Green, Short Term Diary, Mike Park and a few others. Put together by Dave and Amelia of Kent-based Heel Turn Media. Pog track here is the album version of Deathbed.
SECRETS IN THE BASEMENT VIDEO
HEEL TURN MEDIA, HTM02

At the Basement Bedsit weekender mentioned above, Dave and Amelia festooned themselves with lots of exciting and scary video equipment with a mind to making a documentary of the whole caboosh. And I'm glad they did, because it's a nice representation of what went on. Shot entirely on one camera, the audience is largely unseen (except for the odd straggler walking past the camera), which makes the whole thing seem rather intimate. Performances then from all the artists featured on Muzak From The Basement #2, but mostly different tracks. My debacle in this instance is a breakneck Perfect Couple with special exclusive cocked up last chorus.